• Sculpture of a human head with features wrapped in layers of textured, metallic material, displayed on a white pedestal in an art gallery.
  • A robotic arm writing onto ceramic or pottery object with a sensor on a round table.
  • Art installation featuring various sculptures of tree trunks and whimsical creatures in an art gallery.
  • Close-up of an engraved copper plate with thousands of holes making an image
  • Multiple metallic circular mechanical parts with gears and holes, connected with wires.
  • Close-up of abstract metal sculpture with curved, pointed shapes against a black background.
  • Purple 3D printed miniature model of orchids on a metallic surface.
  • Colorful geometric mask-like artwork resembling a stylized face with horns, eyes, and a mouth, decorated with bright colors and patterns.

Matt builds the technical systems and pipelines behind physically ambitious art and design work.

Most complex projects don't fail at fabrication — they fail before that, in the stage where no one has yet resolved how the work can actually be built. That is where this practice operates: between the artist with an ambitious idea and the point at which something can be handed to a fabricator. The decisions made here determine whether a project gets realised at all, and whether it gets realised well.

WORKING ON SOMETHING TECHNICALLY AMBITIOUS?